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Here at FACE, we live for the moment – and we especially like to do it in the name of research. Researching live experiences used to be a matter of showing up, doing interviews at various points, and taking down notes throughout, maybe a survey here or there. But that’s not our style and things have changed (we love change!). Now, people can experience everything the world has to offer in real time while simultaneously contributing and sharing experiences with others through mobile and social media. It’s been great news for us, because we get even more opportunities to delve into understanding what is happening and why.

We’ve been doing more and more research in this area and are fascinated by it. So in the spirit of experiencing and sharing, here are some tips that have helped make our live research live up to the definition on Urban Dictionary: “jumping, full of people, exciting!”

World Cup Stadium
Image by Flickr user Shine 2010 – 2010 World Cup good news

1. Focus

When going into any kind of live event (whether physical or digital, or both) having a clear objective and a plan are incredibly important. Whether we are looking at engagement with a message, understanding behavior in context, or identifying opportunities for improvement, having a focal question helps to narrow in on exactly what kind of information the research should prioritize over all of the other (distracting!) aspects that make live events so fascinating.

2. Technology

Even a few years ago, asking people to do things while they were doing something else was fraught with difficulty (think paper diaries, and intercept interviews). But now, online behaviors have really shifted in our favor in regards to collecting data during live events. Liveblogging, livestreaming, updating, checking in, – all of these methods act as shortcuts that help participants get their thoughts directly to us without getting in the way of the experience itself.

And the best part is that people are already engaging in these behaviors in their personal lives. We’re just extending an already existing behavior into a research situation. Just be sure to choose your technology medium carefully. Make sure that it fits within the situation you’re looking at. For instance, check-ins are useful if you’re studying gym-workout behavior. But they’re not really that useful if you’re looking at the experience of a live concert.

3. Real-time integration

This should go without saying, but I am going to say it anyway. In order to capture what happens ‘live’, the research simply has to be happening at the same time. The information you get from people experiencing something in the moment (even if it doesn’t seem relevant at the time) is extremely powerful and should not be left out of the picture. When people look back on experiences in retrospect, it is often lacking a lot of the rich contextual information that is key to understanding what is really going on in the moment.

4. Thinking about dimensions

Live experiences are akin to animated objects – constantly changing in look, feeling, and experience. There isn’t always a clear beginning, middle, or end, and things can take dramatic turns. There is a lot of reading between the lines.

Where traditional research might normally have limited perspectives across a few points in time, a live research approach gives us the opportunity to explore multiple vantage points over the entire duration of an experience. The added dimension of change over time means that we can better understand the subtleties of live experiences in ways that people might not be aware of in the moment or even after the fact.

Ultimately studying live experiences can be a whale of a proposition but it is always worth it. We are looking forward to the next opportunity to lose ourselves in the moment.

Flashing lights

Lately it seems that whenever I turn on the TV (or YouTube or Hulu) I am forced to endure advertisements that feature market research as the central creative concept.

As a researcher, I find it difficult to watch these ads because they often misrepresent how and why research is conducted, which impacts the reputation of the research industry as a whole and makes me feel sad and misunderstood. While I can’t deny that having a spotlight on the industry is somewhat flattering, in the end I always come away with the same feeling: that the use of market research in ads often results in unengaging and ineffective advertising.

To illustrate my point, I have compiled some of my least favorite ads along with some of the comments and responses that these ads have garnered online.

Warning: the following ads contain cheap shots below the belt and may result in extreme brand disloyalty!

1. Research as reality TV:

The consumer wisdom on this commercial is that it tries too hard, uses too much product placement, has awkward humor, and does little to promote the product. Also, it is scary. In fact, if the comments to this video are an indication, it almost does the complete opposite of what it should:

“This told me nothing about the soda. Another waste of time commercial trying to be funny and creative but falling flat on its face.”

“I’m never trying this flavor because of this crappy commercial.”

“If a strange man walked into a room that was mostly empty except for me, and if I was a female, and if he started blocking off the exit, I would be running like mad.”

A lot of the comments to this video are about how awful the soda is, how bad it is for your health, and how scripted the actors are, including the actors themselves weighing in – not necessarily the best response.

This commercial reminds people that they are watching an advertisement from a company that is trying to make them like a product. People are savvy and they know that this is a forum to speak directly to brands… And equipped with that knowledge, they hold Mountain Dew and PepsiCo responsible:

‘How is this about soda? And if this is an ad about trying to portray a feeling you get when drinking Mt. Dew it is not a feeling that I want. Ummm Hello PepsiCo time to move on.’

Finally, it is quite scary to consider being ‘accosted’ in a focus group facility (they are strange places!) As a researcher, I rely on participants taking interest in in research – it worries me that people might not consider participating if this is what they can expect when they show up.

2. Sending the wrong message:

This next category is actually the one that inspired me to write this article. It is so cringeworthy that every time it pops up on Hulu, I click ‘not relevant to me’ in a personal effort to protect my future sanity.

Many people find the above ad confusing. There is an effort to unpick the logic but it never quite works out in Geico’s favor as viewers call out for the ‘old Geico’ ads, the ones that made them a household name:

“Why get car insurance based on the taste of a drink??”

“I don’t think this was supposed to make sense.. right?”

“All I know from this is that Geico is car insurance…or a juice product…”

“I wish their “Does GEICO really save you 15% or more on car insurance?” ad campaign is back!”

Here is a similar style from Verizon:

and in case you thought the 18-24 demographic was exempt… Well, no:

The sentiment towards these types of commercials is very clear and unsurprising considering the premise of blatant data manipulation. It was difficult to find comments from these videos that didn’t include a string of curse words. Unlike the Geico ad, the Verizon examples are called out for being patronizing and for ‘treating customers like idiots.’

“It doesn’t matter how you present it. Verizon is very pleased with themselves for no good reason.”

“That focus group sure is biased”

“I came here just say this commercial is annoying, that’s how obnoxious the people and the acting is.”

“I can only imagine how many people Verizon has driven away with this garbage.”

In my opinion, the above examples are the most damaging to a brand’s reputation because they are conceptually based on being ‘untruthful’ or intent on hiding something – in short, trickery.

By presenting this to consumers, it sends the message that companies are not interested in validity or authenticity – they are out to pat their own backs and get the answers they want no matter what. No only does this take a punch at our clients, but to researchers and advertisers alike – it is harmful all around.

3. When it works

It is not fair to say that every commercial that uses market research as a creative concept is unsuccessful – there are few examples where it works well.

Before you check out the video below (and I recommend the series that goes with it) keep in mind that these ads work because they are not posing as reality and they focus on funny or interesting people participating in the research – not the research itself.

and of course, some excerpts from the comments section:

“Ahhhh!! they are soo cute!!”

“Smarter then the models, seniors, glam rockers, guidos, surfers hahah”

“So is this everybody’s first focus group? Ha ha”

“At the very beginning of the video in the bottom right corner it says “Dramatization with actors” thumbs up so people are not deceived!”

These ads don’t try to be real, they don’t set out to boast about themselves, and they are incredibly subtle. But more than that, they are entertaining, engaging, and people want to keep watching because they are fun and the participants are the spotlights – not the research or the researcher. It even looks like fun to me – researcher approved.

Pulling the plug on this creative device:

With exception of the example above, people generally interpret the use of research in commercials as derogatory and patronizing. It can be done with success, but it happens rarely. The only way I could consider any of these ads as working is if the strategy behind them is to lower consumer expectations as much as possible. If that is the case, then job well done.

My experience in testing ad concepts is that the best ones are simple. They tap into strong emotions, or are thought provoking and as a result are genuinely entertaining. They tell stories that people can and want to connect with.

To put it plainly, market research does not work well in ads because it IS market research. While it might be fun for researchers, the majority of people actually find what we do really dull. So presenting it as something they should be interested in is a step in the wrong direction – consumers are interested in brands, products and experiences, not the research that goes into understanding all of those things.

Market research lives happily behind the scenes by helping businesses and organization understand audiences and by contributing to the development of creative ideas that speak directly to consumer benefits.

Tis the season to be spending…. and a crucial time for companies to be visible, to inspire and build some brand love in the process. Hence, the tradition of the Christmas / Holiday advertisement has developed into a form of entertainment that we look forward to each year. We’ve tapped into our local offices in London and New York to bring you our favorite ads of the season, along with commentary from consumers on YouTube and Facers about what puts these ads on our ‘nice list’ and why they generally make us feel all warm and fuzzy inside.

From the London Office

First, a bit of preface: Christmas ads in the UK are an institution, people look forward to them the same way they look forward to the birth of their own children. For our US readers, it is akin to how Americans react to Superbowl Ads…except the UK Christmas ads are actually good. These companies have it down to an art.

Every year, the bar is set higher and higher in an X-Factor-esque competition for best Christmas Advert – the jury is never really up but it is something that everyone collectively takes part in. So, if you are in the UK, you have likely already seen these, and if you are out of it, then you are welcome for introducing you to probably the best Christmas ads ever.

Boots – Let’s Feel Good

“This ad is the perfect definition of Christmas. Commercial, but in a nice way. Not like “hey, buy this present for Christmas”, but more like “buy this for someone special, that you care about and that will make them happy”. This ad does not symbolise the greed that Christmas has, but rather the opposite. :)

“Great add, nothing fancy, just perfect! :)

These two consumer comments describe the essence of the ad: making gift giving about the meaning behind the gift, not the gift itself. It’s touching and sweet, which is what makes it so good. You don’t really see the Boots logo during the ad itself, yet it still manages to demonstrate to the consumer the array of gifts available in the stores. It strikes the right balance between buying gifts and giving them.

Of course, if you can’t quite understand all the British accents on display in this ad, you are not the only one.

“what does that young girl say to her mum at the start? i really dont understand and iv listened five times”

John Lewis – The Journey

This years’ John Lewis advert with over 2million views on Youtube, entitled The Journey, features a devoted snowman who makes an epic journey from the country into town to buy his beloved a Christmas gift. It’s a very simple story of an adventurous and difficult journey, with love at its heart, that everyone can understand, whether they’re an adult or a child. The advert has a great soundtrack too from Indie-folk singer Gabrielle Aplin with her version of Frankie Goes to Hollywood’s 1984 hit The Power of Love.

“they told a better love story than Twilight… with a commercial.”

“This is like the most beautiful thing I’ve ever witnessed :’)”

“What a cute snow man :) xx Feel all Christmassy”

From the US

Disney – Toy Soldier

In the United States, the words Disney and the Holiday go hand in hand. Nobody does Magic like the Magic Kingdom, we look to this institution yearly to bring us Mickey’s Very Merry Christmas Party. Usually, we just reap the entertainment for what it is, but this year Disney released some behind the scenes footage of the time, effort, and practice that goes into putting on this event. The result is a touching, personal story of triumph and achievement that showcases some of our favorite references as well as some deep seeded American themes of meritocracy.

“I’ll be there December 15th-18th, with Mickey’s Very Merry Christmas Party on the 16th!! So excited!!”

It pays homage to those who are involved in putting it on (talk about internal communications!)

“I was a toy soldier back in ’04! It was the most fun gig I’ve ever played!”

It contains important references and cameos from characters who integral to the Disney World experience

“I never knew the sword could come out”

“Amaaazing! omg thats why disney is so amazing, soo much enphasis in little details like this makes it wonderful.”

Ebay – Pony

Frankly, this season is about giving and receiving gifts… last year my niece asked Santa for a Polar Bear, a cute request, but by no means meant to be taken literally. ‘I want a pony’ in our culture used to be the childhood expression of the American Dream…now, and mostly this is in part thanks to the Brony movement, we have come to understand that the desire to own a pony is intrinsic to most humans. It’s okay to dream, but also to be realistic that real ponies, are not necessarily for everyone, and if you are looking for a pony substitute then perhaps the Toys-R-Us + Ebay is the place to find it. This Christmas ad captures the internal struggle of good intentions as well as the inherent anger of Shetland Ponies.

One YouTuber perfectly sums up the scenario:

“that pony straight ‘toe’ that house up! He busted out the window, kicked that ugly tree off the stand (Did I also say he caused a serious fire hazard anybody?), and flew like a bat outta you-know-where down the street! Uh oh! Did I hear the car alarms going off anywhere? hahahhaha lolol so funny! Gotta share this one for sho’ ! You can take the pony off the farm but you can’t take the farm outta the pony hehehehe!”

So what makes a good ad?

The themes we see here are what truly make these great Christmas ads. Christmas has become heavily commercialized, leading to a consumer backlash that it is becoming too much about shopping, so none of these ads is about shopping at all. Boots moves the emphasis off of “the best give” to the gift “with meaning.” John Lewis is about the effort to get the gift for someone special Ebay’s ad actually pokes fun at the idea of “bigger is better” by showing that even a simple little stuffed pony brings as much joy as a real one (without the mess). The Disney ad has a slightly different take, though. It’s also about dedication and “going the extra mile,” showing the dedication Disney puts into its Holiday parades, it’s “gifts” to its guests, but the effect is the same. And that little wink at the end is almost an invitation: “I did it, and I’m waiting for you!”

So what makes a good Christmas ad? It’s not about purchasing. It’s about what the purchase means.

The New York office has just added a new Facer! We’re happy to welcome Research Manager, Adina Daar, to our Face family. She’s bringing over 6 years of experience with her, so we thought an interview would be a great way to get to know her a bit better.

Adina Daar

How did you get started in Market Research?
I have always been interested in consumer experiences but it was not until a sociology professor labeled my academic work as ‘market research’ that I even considered it as an option. She gave me the vocabulary I needed to pin down the opportunities that would enable me to be curious for a living.

What’s your favorite type of research?
I think the richest insights are the ones you don’t go in looking for and exploratory research offers this in spades. I am also a huge fan of situational research where environmental and contextual clues help us understand what people do and why they do it in the moment.

I understand you’ve traveled a lot. How many markets have your worked in? What are the challenges of working in other markets?
My career essentially started as an international researcher in London and spread to include China, India, the UAE and back to the US again. This experience has taught me that rather than going in with a mindset of working around the culture and trying to force fit our approaches, we can identify what resonates and works well in each market and aim to build flexibility into our approach.

The world is changing rather quickly. What do you think is the most exciting development in the MR world?
Qualitative and quantitative data are becoming inextricably linked and I think we are coming around to the idea that there is a harmony in weaving them together to tell multifaceted and comprehensive stories. I’ve also noticed there are a lot of quali/quanti marriages in the industry which just supports that the two make a cute couple.

What do you do when not researching consumer behavior?
I like to observe animal behavior at the zoo – I think there are more parallels than we like to admit and it is a great place for inspiration.

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Get connected with Adina on Linked In