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As our next installment in our Emerging Roles Profile series, here is an interview with our Production Manager, Cathy Parker-Sauer. Though not on Job’s original list of Five Emerging Roles that Are Changing the Face of Market Research, production in market research is also rapidly changing and we felt it deserved a closer look. In this interview with Cathy, we’ll get to peek into the engine that keeps Face, and other similar agencies, running.

Cathy Parker-Sauer

How would you describe your role?

We are at the heart of what Face does, every day. From project kick-off, I manage the logistics around ensuring fieldwork is set up, and that the necessary processes have been thought through in order for the project to run smoothly.

The production team oversees:

  • drafting screeners
  • recruiting either directly or through global and local field partners
  • booking workshop venues
  • making travel arrangements
  • providing relevant equipment
  • managing budgets
  • and coordinating amongst all teams

How did you become a production manager? What’s your background?

I studied Event Management whilst working at an events company in South Africa.  I then moved to London and found a job managing a world-class viewing facility, which sounded perfect because the research element interested me and it was like coordinating mini-events all day, every day. This was my first step into the marketing research world.

I joined Face in January 2011 as Production Manager and have loved working on a different range of methodologies, mainly co-creation, as it was something that was new to me coming from a traditional qualitative background.  At Face I am surrounded by a team who are inspiring and who absolutely live up to their respective roles.

Any tips for how to stand out from the competition when you’re trying to get a job in co-creation?

From project kick off, I manage the logistics around ensuring fieldwork is set up, and that the necessary processes have been thought through in order for the project to run smoothly. You need to have good knowledge of research methodologies and have good relationships with fieldwork partners and recruiters alike.  It is essential to have good delegation, time management and communication skills in order to deliver projects smoothly and on time.  As I oversee budgets to make sure projects are profitable, it is key that I work alongside the commercial team when costing for projects and evaluate the budget continually throughout the project.  This is a role where flexibility is key and giving up is not an option!

What are the top rules you have to follow as a production manager in market research?

  1. Get a good brief from the commercial team / researchers in order to brief in field correctly and limit changes.  A good brief should include the approach and methodology, the sample criteria and quotas, timings, locations, and logistics information, like accommodations and catering.
  2. Negotiate costs with suppliers – however never compromise quality for cost.
  3. Take risks and push yourself with more creative approaches
  4. Remain flexible but not at the expense of the research. For example, make changes to the screener – however if this eats in to recruitment time this may jeopardize your research, e.g. having to shift the timings or to decrease your sample if necessary.

What’s the biggest mistake you most often see in production management? What’s so bad about it, when it does go wrong?

If the screener is not perfect this will affect the sample and sometimes can totally affect the research.  It is one of the most important documents in the project set-up and sign-off phase.

The problems that can come up with screener writing can be:

  1. When there are too many opinions involved in sign-off.  This tends to make the screener complex and too long. Keeping it simple, compact with a good flow is important.
  2. If there are specific segments that are required and an algorithm is not supplied to the research agency, participants might fall into more than one segment affecting the sample and the research.  Where segments are required, algorithms should always exist.
  3. Making multiple changes to the screener or details during fieldwork.  This confuses the recruiter / partner and although one change is usually fine, multiple changes have bigger chances of impacting the project negatively if not tracked and followed up throughout fieldwork.

Where do you see your role going in the next five years? What’s the future for marketing research production?

The way the industry is evolving, I think co-creation will be done less face-to-face and more online (online chat groups, online communities etc) so it is key to ensure our online platforms are able to accommodate this.  They need to be user-friendly and faultless.

Face CommunitiesContinuing the series of posts started by Face MD in London, Job Muscroft, about the emerging roles changing the face of market research, here’s a closer look at the research community manager position with an interview with Kate Davids from the New York office.

How would you describe your role?

I’d describe it as a research meeting customer service. On the one hand, I am the voice of the researchers. In the beginning, I assist in copywriting the task plans, keeping a fun and easy tone and making sure that participants understand what they need to do. During the community, I am responsible for ensuring that participants do all the tasks the researchers need them to complete. At the end of the community I help summarize the results of each task for the researchers.

On the other hand, I am the participant touch-point. If a participant needs help, they come to me. If they are curious about a particular assignment, they ask me. If they are having technical difficulties… yep, they come to me.

The best communities occur when these two sides are balanced appropriately. I find participants answer tasks more completely and more promptly when  they feel there is someone who not only is directing them in the community but also who genuinely cares that they enjoy the experience and is always there if they have any questions.

How did you become a community manager? What’s your background?

I actually got my start working as a marketing community manager, growing communities for a restaurant brand. Managing research communities and marketing communities is similar in many ways, though very different in others, to be sure! Marketing community managers must always be in tune with their communities, in order to encourage the best forms of participation, same as for research community managers. You’re always on the lookout for the most engaged participants. And the least engaged, too. Some of my favorite participants actually started as less involved and after a bit of communication later, turned into research goldmines!

The real differences are that a marketing community manager’s goal is to encourage shares and comments and the participants are involved, generally, to get freebies. Meanwhile a research community manager’s goal is to encourage insightful comments and participants are incentivized and recruited. Though the goals and the participants are a different, the love of people and communication necessary for the job are the same.

Any tips for how to stand out from the competition when you’re trying to get a job in community management?

The best thing you can do is prove your understanding of online communication alongside a willingness to push boundaries and make your own rules. You need to be able to show that you know how to communicate effectively online, so maintain a Twitter and blog presence. As mentioned before, customer service is a big part of this role, so if you have ever held a customer service role, be sure to put it on display, perhaps in an online resume on LinkedIn. Community managers need to be able to solve participant problems, and these are often technology based, so being able to show that you can guide others to successful conclusions is a good thing, too.

What are the top three rules you have to follow as a community manager in market research?

  • Participants are people, too. If someone isn’t engaging, be sure to remember, they have lives outside of this project.  Sometimes you might have to remind other team members of that, too.
  • Always be there. Tasks often go up on the communities rapid fire, so if a participant is having trouble, you, as the community manager, has to be there to help. Even on the weekends.
  • Always keep the research objectives in mind. If a participant isn’t producing useable content, follow up with them and politely help them meet your and their objectives.

Where do you see your role going in the next five years? What’s the future for community management?

Community research is only going to become more important as MRX develops. Communities allow researchers to peak into participants’ lives over time and really get into their heads. As technology improves, this capacity will only grow more prominent. Community managers will have to be able combine the “people-side” and the “technology-side” as they develop in tandem. The community managers are uniquely positioned to feed learnings from the “people-side” into the “technology-side” and vice versa.

Communities will likely get larger and longer, too, as participants and brands maintain relationships even after the initial research project is finished. Community managers would likely be involved in maintaining these ties and perhaps even be involved in the recruitment for future research communities.

What’s the biggest mistake you most often see in community management? What’s so bad about it?

I am really sad when I see a community manager lose sight of the fact that the participants are people, too. It’s really easy to do. We sit in offices and obsess over our communities; meanwhile our participants are off living their lives. So when a participant isn’t participating, it’s easy to think this person just doesn’t care and write him off as a lost cause. The reality might be quite different – maybe he is studying for his med school final and a simple check-in will encourage him to do all the tasks after it’s over.

Community research is on the rise, and for good reason. Here’s an example of just one of the types of projects a community manager might be involved in.


Following on from my last post – 2012 Resolutions for the Market Research Agencies – I wanted to talk more about how we make these resolutions a reality by creating new agency roles with distinctive new skills sets.

1. Technologist

The MRX Technologist is primarily responsible for keeping up to date with new digital trends and is able to help the agency develop and pilot new research methodologies. This may take the form of designing new platforms from scratch or being the lead decision maker when it comes to buying 3rd party software. Alongside innovation, the Technologist plays an increasingly important role on project teams where the research briefs are UX or Service Design Orientated.
Skills: User Experience, Digital Project Management, Data Analytics

2. Community Manager

Communities are social places and need to be nurtured by people who are experts in digital communication. With the rise of MROC’s the fastest growing role in MRX agencies is that of the community manager. In fact, most of the problems associated with bad MROC research is when the agency does not have this person on the team. The Community Manager is responsible for setting the rules of the community, setting the tone of voice, making a personal connection with members and ultimately ensuring good quality engagement with the project. The Community Manager is also increasingly leading the way when it comes to applying game mechanics to research and is growing in influence when it comes to shaping research projects.
Skills: Copywriting, Video production, Project Management

3. Social Media Researcher

Real time social media monitoring is now commonplace but many companies are still struggling to interpret the data and use it to make strategic decisions. This knowledge gap is being filled by The Social Media Researcher who is responsible for developing strategic KPI frameworks for social media tracking programmes and harnesses social media data to help answer adhoc brand, product and comms briefs. The Social Media Researcher is quickly becoming a very important role, as they are both an objective and strategic voice advising clients about the ROI of their growing digital spend.
Skills: Quantitative Research, Qualitative Research, Social Media strategy

4. Co-creation Consultants

Companies are opening up and embracing more collaborative ways of working with third parties – including their consumers. Co-creation Consultants are responsible for the successful interaction between all parties on a project. Many of the touch points for this type of co-creation occur in workshop environments of one kind or another that require very skilled facilitation to get the best out of a wide variety of participants. Co-creation Consultants cover a wide range of disciplines, most often those from innovation, brand strategy and planning backgrounds.
Skills: Facilitation & improvisation, Planning, Qualitative Research

5. Big Data Scientists

We are living in the age of data, enabling companies to be more forward looking. Big Data Scientists are hot property in the research world as they are responsible for developing predictive data models & algrorithms using a wide range of data sources including dynamic social media data. Big Data Scientists primarily come from computer science, hard sciences, engineering and business backgrounds.
Skills: Mathmatics, Statistics, Computer programming

Blog, Community Management, Insights

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The New Amateur

  • Date July 12 2011
  • Posted by Chris
  • Tagged with
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In 1980 Alvin Toffler wrote of the “Third Wave“. Following on from the Neolithic Revolution, when agriculture developed to replace hunter-gatherer societies, and the much more recent Industrial Revolution – the second wave – the Third Wave was at that time in the process of obliterating the second wave society. At the time it didn’t have a name, but now it’s known as the Information Revolution or Age of Information ( a name which has seeped into popular culture), the period in which the world is no longer led by economies based around manufacture but by information economies which specialise in innovation, finance and services.

A by-product of this information flooded world is the rise of the new amateur, or the ProAm. The ProAm blurs the distinctions between the professional & the amateur by feeding off the highly accessible information online to pursue amateur interests to a professional standard. The ability to self-publish means that these amateurs often feed off information from other amateurs. The rise of the food blogging community and, by extension, the supper club trend is a great example of the freedom of knowledge sharing from one enthusiastic amateur to the next. No longer are cookbooks from qualified, experienced chefs the only source of information for culinary information – instead you can Google any recipe and be confronted by blogs and opinions on the first page.

I should declare an interest beyond my work as community manager here at Face. I am one of these New Amateurs in the food space, as I pursue my interest in cookery and restaurants through my blog. My experience has been an encouraging one, as the feedback from the wider “foodie” community through Twitter and comments has been both positive and constructive. In a matter of months I feel I’ve learned more about both the technical and cultural aspects of food than I could by reading any number of “expert” publications.

It is the rise of these New Amateurs, these ProAms, which has enabled us to work in the way we do. Co-creation depends upon people who aren’t experts in the conventional sense, but who have a better inherent understanding of the brand in question due to living in the world where the brand has relevance. As community manager I have been taken aback again and again by how savvy the consumers we work with are and how deep their understanding of branding, marketing and innovation runs.

The good news is that this trend is only just beginning as the “digital native” generation comes into its own. As those of us who have grown up around these enabling technologies become the new impetus for business, it’s going to be more important than ever to include the demographic in the development of new ideas and insights, particularly as another side effect of more readily available information is a cynicism about any perceived preaching or one-sided selling from brands. This is a new audience which expects to be talked to rather than at and listened to in turn. Simply shouting about your brand won’t work any more. In 2011, you need a conversation, not a sermon.

Chris Poole gave a great key note presentation at SXSW talking about the evolution of the infamous meme making bulletin board 4chan - once described by The Guardian as “lunatic, juvenile… brilliant, ridiculous and alarming”.

4chan is one of the ugliest sites you will come across but it gets 12million users per month and has 1 million registers users. So what is the key to its popularity?

1. It is a simple concept. Upload an image and a comment and see if other people interact with your content.

2. Unlike social networks, users of the site are anonymous and have a freedom to play and express themselves in ways you just can’t on Facebook…hence some of the adult material uploaded but more significantly the large amount of art criticism on the board.

3. Only the most engaging content stays on the site meaning that people encourage others to play, comment on and adapt their content.

Poole’s next move is updating the 4chan concept by launching Canvas http://canv.as/. On Canv.as all users are given photoshop quality tools to encourage them to be more creative and it  also removes a lot of the barriers to mass participation associated with 4chan.

What struck me about the success of 4chan is how it has managed to create the perfect environment for innovation. A stripped back environment where ideas are more important than the creators and where those ideas can spread and grow without egos getting in the way. What I really like about the new Canvas concept is the potential it has to democratise crowd creativity and as someone who works in the field of innovation I find this very exciting.